“Annemarie totally inhabits the songs; assured by the musical excellence the band affords her, she, and the band, are unfaltering. Her voice is mercurial: one moment a fragile, almost whispered invocation, the next a piercing, operatic cry that seems to arc above the band like a shooting star. She sings in characters, in fragments of dreams, in half-remembered mythologies, l as though she’s following some private tide beneath the music. She becomes part oracle, part haunted protagonist, her gestures as deliberate as her melodies. ” - Mike Burgess

“The band are tight and dexterous, and endlessly inventive, playing some quite heavy jazz-tinged prog, while Anne Marie acts out the song stories, which are quite bizarre but mesmerising.” - Graham Thomas

“The diversity of the quartet’s influences (which range from Opeth to Chick Corea via classical guitar and classic metal) is arguably what led them to forge such a captivating sonic world in the first place, but this love of “throwing things and seeing what sticks” is deftly balanced by “a lot of trial and error, an open mind and a willingness to let go of your own ideas.” - Dan Peeke